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Cinema Voyage - Michael Pearson

 
This blog is PRIMARILY about movies. Some dvd and some that are still in the theater. Also, links are provided on some movies if you decide you want to purchase it. Also, I write and read quite a bit. So, you may, from time to time see a book review here from an up-and-coming author or an interview with one. If you have a book that you have written, please don't hesitate to contact me if you want an unbiased opinion. I would be happy to read and review what you've written. We should value our creative people more.

Cinema Voyage - March 2010

Welcome

March 30th 2010 08:18
Vincent Lindon guiding Bilal's swim across the English Channel


There’s an inherent irony in the title of French director Philippe Lioret’s latest impressive effort Welcome. It’s about the grim struggle of illegal immigrants in Europe, the plight of their experience, and how they are anything but welcome.


Kurdish teenage boy Bilal has been travelling illegally across Europe for nearly three months. He hopes to make it to England, but is stopped in Calais on the northern coast of France. Heavy surveillance by the French authorities prompts him to seek the help of Simon, a middle-aged swimming instructor bent on winning back his ex-wife.

The pair forms an unlikely but mutually beneficial team. Simon fathers Bilal, showing affection whilst retaining a natural sternness. He hides the boy in his apartment home. Lioret has controversially asserted that this story strongly resembles earlier times when Jews were hidden from the Nazis, sparking intense political debate throughout France.

Vincent Lindon is splendid in the role of Simon, a hurt man whose harsh exterior conceals an inner world of torment. Bilal is played by newcomer Firat Ayverdi, who gives a touching and wholly believable performance. Growing more desperate to reach England and his waiting girlfriend, he endeavours to swim the English Channel under the guidance of Simon.

It’s a remarkable story which feels as though you might have once read it on a world news page without processing it adequately. Lioret reveals a masterful vision, particularly with the breathtaking scenes of Bilal’s ultimate swim. The film’s ending confirms the uncompromisingly bleak outlook of Lioret, which is bitterly refreshing in an industry that usually insists on tying a pretty bow on even the most confronting truths.


4 STARS
85
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Hi film buffs,

In a past life as a Korean masseuse, I often wondered how I could best serve humanity. Well, in this incarnation, I escaped the four walls of my Catholic high school and emerged onto the UTS (University of Technology Sydney) scene with noble aspirations to be the ultimate ace reporter/investigative journalist. Strangely, this was not to be and I instead found a home on the movie reviews page of premier student publication Vertigo, where I decided that hobnobbing with leading Aussie film critics David Stratton and Margaret Pomeranz at free screenings was kind of cool anyway.

My experience in film reviewing has lasted a little over a year and a half. During this time, there have been tears and there’s been laughter. But it always amounts to the same thing: confirmation in my undying passion for cinema. And so, with a slight sense of anxiousness, I’m taking the next logical step and moving into the blogosphere. It’s with an overwhelming sense of privilege that I take over the ‘Cinema Voyage’ blog and endeavour to keep the excellent standards of Michelle Sweeney.

Very rarely do I ever make promises that I know I cannot keep. This then may be one of those very rare instances, but I promise to make ‘Cinema Voyage’ a weekly updated blog. I encourage all readers to suggest films for reviewing, or simply topics relating to all things film. I find that some of the best conversations of my life have arisen from a contrary point of view on a particular film. On that note, I’d like to know your favourite film of all time. The more surprising, bizarre and unique it may be, the better!

I’ll start: Lost In Translation

Bill Murray and Scarlett Johansson in what must be one of the sweetest moments of cinema


Yours dedicatedly and lovingly,
Akito Hirata
100
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Winged Creatures

March 25th 2010 08:39
Dakota Fanning tackles this challenging role with success


Winged Creatures revolves around one awful event: a man walks into a diner and shoots at random. Lives are fractured; the hapless victims do what little they can to reconcile themselves to the shocking attack.

The film clearly adopts what is a gritty narrative convention of American film, yet it is the work of Australian director Rowan Woods, who has shown his talent previously with Little Fish and The Boys. It aspires to be the successor to Magnolia, Babel, Crash, and 21 Grams in its depiction of the grim struggle characters face. They seek to achieve reconciliation and atonement after a traumatic experience, which impacts on them all in different ways. Aided by the realism of disjointedness through a time-trick structure and the clever use of flashback to slowly reveal the story, Winged Creatures progresses steadily but without suspense towards a surprising denouement which ties together parallel lives and lies.

Dakota Fanning gives an intelligent performance as Anne, who quickly finds religion and Forest Whitaker evokes much pity as the gambling Charlie. Yet, from the large ensemble cast, many of the characters are never fully developed. Guy Pearce’s Dr Bruce Laraby, in particular, remains largely inaccessible. Ultimately his performance does little more than go through the motions.

The score is workmanlike in capturing the mood of the film and conveying emotion, but it fails to lift the film significantly. In many ways, this is symptomatic of the whole film; it replicates all of the conventions of this recently emerged genre but Rowan Woods should have been more concerned with making it strikingly original rather than conforming to what others have done before him.

Winged Creatures is effective without being powerful or consistently engaging, and we have come to expect more from films such as this.

2.5 STARS
71
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Chris Waitt: endearingly daggy star and creator


A Complete History of My Sexual Failures charts the cringe-worthy odyssey of its brave and unashamed British creator Chris Waitt, who is determined to fix his hapless love life


[ Click here to read more ]
61
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Disgrace

March 24th 2010 02:30
John Malkovich with South African newcomer Jessica Haines


Few places in the world can arouse as strong a sense of foreboding in modern consciousness as South Africa. In Disgrace, Australian director Steve Jacobs has presented us with a harrowing exposition of the sum of contemporary South Africa’s misfortunes – its corruption, racism, and crime – in a faithful adaptation of J.M. Coetzee’s Booker Prize winning novel of the same title


[ Click here to read more ]
61
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Synecdoche, New York

March 24th 2010 02:24
They're all the leads of their own stories - Caden Cotard


Be excited. Very few filmmakers can pull off nonsensical, postmodern delight as well as Charlie Kaufman, and his first directorial effort Synecdoche, New York is no exception. Having written films including Being John Malkovich and Adaptation, it’s little wonder that Kaufman has taken full visionary charge of this latest ingenious piece of metafiction


[ Click here to read more ]
54
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Elegy

March 24th 2010 02:16
A romance doomed from its inception


There is very little cathartic reward by the end of Isabel Coixet’s emotionally draining drama Elegy, and unfairly so, with a running time of nearly two hours


[ Click here to read more ]
31
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Inkheart

March 24th 2010 02:06
This fantasy is as misguided as its characters


Blurring the lines between reality and fantasy often makes for an intriguing cinematic experience and in Iain Softley’s latest effort, Inkheart, the real world and the realms of fantasy do meet at a point of hybrid transformation


[ Click here to read more ]
26
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