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Cinema Voyage - Akito Hirata, Filmhunter

 

SCREAM 4

June 19th 2010 11:42
Official 'Scream 4' teaser


Poor Neve Campbell. Who’d a thought that she survived to the very end of Wes Craven’s Scream franchise only to be thrust into an entire new trilogy come 2011. That’s right. Get ready to scream (sorry, couldn't resist). Bob Weinstein, head founder of Dimension Films, has not only confirmed a fourth instalment in the iconic slasher series, but has dropped some heavy hints that, if successful, a fifth and sixth Scream will follow.


With its tagline boldly asserting “NEW DECADE. NEW RULES.”, Scream 4 has promise. I only hope that it’s not empty promise. There’s no argument whatsoever about the originality of the original Scream. It cut the stale air and recycled plotting of slashers preceding it in the 80s and 90s. It mixed irony and self-parody with some intensely creepy chills and bloody spills. Its pretty heroine Sidney Prescott (Campbell) was always self-aware of her character’s conventions: “...they’re all the same, some stupid killer stalking some big-breasted girl who can’t act who is always running up the stairs when she should be running out the front door, it’s insulting.” She both subverted the scream queen convention and fell victim to it.

Much of this self-referential cleverness owed to Kevin Williamson’s tight script, which re-explored and re-invented the genre’s archetypal characteristics. His screenplay for Scream was no one-off either, evidenced by I Know What You Did Last Summer and The Faculty. Thankfully he’s signed on as screenwriter for the duration of this second-round trilogy.


The answer as to who would direct a fourth Scream was always an obvious one. Wes Craven, the man that saw the original and sequels through, takes charge yet again. The wickedly clever director has always had a knowing way with mocking and indulging the stuff of the slasher trash genre. “I am delighted to accept Bob Weinstein's offer to take the reins on a whole new chapter in 'Scream' history. Working with Courteney, David and Neve was a blast ten years ago and I'm sure it will be again. And I can't wait to find the talent that will bring new blood to the screen as well. Kevin is right on his game with the new script - the characters and story crackle with energy and originality - to say nothing of some of the most hair-raising scares I've seen in a script since... well, since the original 'Scream' series. Let me at it."

As for the actors, Campbell, Courteney Cox, and David Arquette are back on board, reprising their roles in the original series. There’s a pool of other actors rumoured to accompany the original trio, including Rory Culkin in a similar role to that of Randy Meeks of the first Scream, relative newcomer Nico Tortorella, as well as the rather underwhelmingly rumoured Hilary Duff. Ugh.

Irrespective of the rumoured cast, I cannot stress enough how excited I am for Scream 4. The original series defined a generation of horror buffs that valued Craven and Williamson’s appreciation of their audience’s intelligence. It’ll be a true test to see if Neve Campbell and her friends, both old and new, are as self-parodic and self-aware as they were in the originals. I’m also curious, perhaps above all else, as to how it’ll renew the fiendishly clever story of the original. It’ll take more than Williamson’s use of self-referentiality and his metafictive device of a movie-within-a-movie (Stab). After all, a movie concept can only take so many inward spirals before it disappears right up its own sphincter.
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AVATAR: groundbreaker or gimmick?

April 29th 2010 04:43
Is Avatar the best movie ever made or cinema's greatest gimmick?


James Cameron’s Avatar has today been released on DVD and BLU-RAY in Australia. The sci-fi/fantasy epic has reportedly made in excess of 2 billion dollars worldwide. And it’s no doubt that the 3D spectacular’s success will continue with the move from box office to home video.

With its total budget rumoured to sit somewhere between $300 and $400 million, the fifteen-year pet project of the Titanic director has had a lot riding on it. There were early predictions of box office doom, when messily edited trailers of oversized blue people first screened. Cameron’s dogged determination to make an art out of 3D cinema was not doing much to alleviate fears either. Fortunately for him, the mammoth blockbuster has gone on to become the official highest-grossing film ever, eclipsing his own Titanic. But is the film’s dizzying success warranted? And just how will it be remembered 10 years from now?

It’s genuinely hard to imagine anyone walking away from Avatar unimpressed or underwhelmed. The whole experience leaves you in complete awe. The 3D spectacle is mesmerising. This generation of special effects employed by Cameron heralds a new era, one where audiences are left asking themselves when exactly the computer-generated images start and where they end. We’re thrust into an alternate reality where fantasy meets science fiction at a point of hybrid transformation. We’re further immersed in a remarkable world of both fluorescent and natural colour by the exciting field-of-view offered by the three dimensional animation.

Yet, do we emerge with a restored sense of faith in big-budget movies? Nobody is likely to take serious issue with the film’s visual astonishments, yet for many, the gushing praise ends there. All too frequently, Hollywood’s best blockbuster money-makers either sacrifice their story for special effects or have their story simply swamped by the special effects meant to assist in telling it. Either way, narrative is neglected.

Avatar does not escape this problem. Its plot is in no way original. In fact, it’s numbingly imitative of other green-is-good themed films. At best, it could be seen as an inventive integration of Dances with Wolves, Disney’s Pocahontas, and FernGully: The Last Rainforest, while borrowing additional elements from King Kong and even The Matrix. It’s lineage from Cameron’s earlier Aliens and The Abyss is also clear.

The film’s recycled plot is then weighed down by clunky dialogue, at times carrying some not-so-subtle pro-environmentalist and anti-Bush political implications. Very few of the actors can be praised for either the complexity or subtlety of their performances. Every character is a cardboard cut-out. The US marines are depicted as cartoonishly cruel while the scientist geeks are endearingly driven to assert justice. Then again, James Cameron has never been a strong director of actors, as evidenced all too clearly by Titanic.

For some, this all adds up to a failure of narrative that is only partly compensated for by the astonishing effects. Others have even gone so far as to liken Cameron to the ill-disciplined Michael Bay (responsible for the overblown Transformers films).

Avatar’s story may very well be conventional, if not hackneyed, but I struggle a great deal to think that the film has demoted Cameron to Bay’s level. If anything, it’s achieved the opposite. It highlights the way action can be harnessed and technology tamed. We’ve sung along to a spirit tree and watched a white messiah save an indigenous group before in Pocahontas, yet it has never been delivered with such stunning use of technology. Therefore, Cameron’s epic is both strikingly innovative in one sense and intensely derivative in another.

The same sentiment can be felt for the superb use of 3D. Sure, 3D cinema is not something new, but Cameron has mastered its visual capacities like nobody before. He’s given moviegoers a new reason to actually go to the movies and fork out $20: the decidedly thrilling experience of 3D, something you can’t get from a pirated DVD and which the Hollywood studios are going to be taking full advantage of from this point forward.

Whilst the full cultural impact of Avatar cannot yet be measured, there are indeed those who’d like to purport it the new Star Wars. With its technical complexities rightly awarded at this year’s Oscars (countered by its fair loss of Best Picture), and with a sequel already confirmed, Avatar seems destined to go down as one of the greatest achievements in movie history. It will be seen and, perhaps, best remembered in retrospect as marking the beginning of a new era of technological innovation in cinema.
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Hi film buffs,

In a past life as a Korean masseuse, I often wondered how I could best serve humanity. Well, in this incarnation, I escaped the four walls of my Catholic high school and emerged onto the UTS (University of Technology Sydney) scene with noble aspirations to be the ultimate ace reporter/investigative journalist. Strangely, this was not to be and I instead found a home on the movie reviews page of premier student publication Vertigo, where I decided that hobnobbing with leading Aussie film critics David Stratton and Margaret Pomeranz at free screenings was kind of cool anyway.

My experience in film reviewing has lasted a little over a year and a half. During this time, there have been tears and there’s been laughter. But it always amounts to the same thing: confirmation in my undying passion for cinema. And so, with a slight sense of anxiousness, I’m taking the next logical step and moving into the blogosphere. It’s with an overwhelming sense of privilege that I take over the ‘Cinema Voyage’ blog and endeavour to keep the excellent standards of Michelle Sweeney.

Very rarely do I ever make promises that I know I cannot keep. This then may be one of those very rare instances, but I promise to make ‘Cinema Voyage’ a weekly updated blog. I encourage all readers to suggest films for reviewing, or simply topics relating to all things film. I find that some of the best conversations of my life have arisen from a contrary point of view on a particular film. On that note, I’d like to know your favourite film of all time. The more surprising, bizarre and unique it may be, the better!

I’ll start: Lost In Translation

Bill Murray and Scarlett Johansson in what must be one of the sweetest moments of cinema


Yours dedicatedly and lovingly,
Akito Hirata
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Goodbye

January 7th 2010 20:05
After much deliberation, I have decided to hang up my blogging cap. Since relocating to Canada I have found that I now have less time to spend just writing for pure leisure and enjoyment.

Subsequently, since our relocation, my writing and proofreading career has taken off and trying to balance this blog as well as my job and my family just proves to be difficult on most days


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The Lovely Bones

December 29th 2009 17:36
I have been anticipating the release of Lovely Bones (based on Alice Sebold's novel of the same name) for quite a while now. It seems an odd movie choice for Peter Jackson of The Lord of the Rings trilogy although he has previously shown he has a sensitive side with 1994's Heavenly Creatures.

Lovely Bones stars Saoirse Ronan as the main character Susie Salmon. who meets with an early death thanks to her killer at large George Harvey (Stanley Tucci). The movie is told from her perspective after her death from heaven and also stars Rachel Weisz and Mark Wahlberg as the mourning parents. Susan Sarandon features as Grandma Lynn


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Niagara Falls

October 12th 2009 00:41
With the recent wedding filmed in Niagara Falls for the American based comedy, The Office, it made me wonder what other movies may have been filmed here so I thought I would take a trip back in time to investigate.

1941 - 49th Parallel
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Cruz and Almodovar Reunite

October 7th 2009 03:44
Pedro Almodovar's latest full length feature with Penelope Cruz has been doing the rounds since the premiere in Barcelona in March. Entitled Los abrazos rotos or Broken Embraces it tells the story of a four way tale of love in the style of 50s American film noir. I love the sound of it already.

His last stint with Cruz on Volver earned her a nomination for Best Performance by an Actress in a Leading Role and him a BAFTA for Best Film not in the English Language


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Clooney In The Men Who Stare at Goats

September 25th 2009 03:07
What a great title for a book and even better when the book is made into a movie starring George Clooney, Ewan McGregor, Jeff Bridges and Kevin Spacey.

The film follows reporter Bob Wilton (Ewan McGregor) as he stumbles upon a story of a lifetime. Special Forces Agent, Lyn Cassady (George Clooney) reveals to Bob his twenty year involvement in a top secret, psychic military unit. The title of the movie comes from one of the bizarre activities the unit is involved in - staring at goats in order to kill them telepathically


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Intermission

August 11th 2009 18:20
Apologies for not having posted for a while but the move from China to Canada has meant that I have not been able to view many (translate to any) movies in a while.

Hopefully once things settle down then I will be back on track


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Cold Souls

July 27th 2009 11:42
Paul Giamatti returns to the screen after the recent Duplicity to star in Cold Souls which is due for limited release in November. Cold Souls is a metaphysical comedy of sorts which involves the extraction of souls for trade.

Paul Giamatti stars as Paul Giamatti who undergoes the experimental procedure to have his soul removed in order to reduce anxiety. Unfortunately for Paul, complications arise when a soul-trafficking mule borrows Giamatti's soul for an ambitious, but talentless, soap-opera actress. Starring alongside Paul is Dina Korzun, Emily Watson and David Strathairn


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Classic children's tales being made into a movie is certainly not new but it is great to see some creativity being shown with some of the titles. Where The Wild Things Are has long been a popular story with children and adults alike and no doubt, Cloudy With A Chance Of Meatballs will prove to be equally as popular.

Based on the book of the same name by Judi Barrett, Cloudy With A Chance of Meatballs focusses on a town where food falls from the sky. Sporting an interesting vocal cast, actors include Anna Faris, Bruce Campbell, James Caan and Mr T to name a few


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Doubt Leads Reunite

July 7th 2009 01:28
Meryl Streep and Amy Adams both feature in Nora Ephron's movie Julie and Julia released next month.

The drama is an adaptation of two memoirs: Julie Powell's Julie & Julia and My Life in France, by Julia Child with Alex Prud'homme


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My Sister's Keeper

June 29th 2009 11:11
My Sister's Keeper, based on the popular novel by Jodi Picoult, will no doubt be a success at the box office despite the opinion of the reviewers. Starring Cameron Diaz and Jason Patric, the movie touches on a sensitive subject about a young girl who sues her parents for the right to make her own decisions about how her body is used particularly in light of a planned kidney transplant to save her older sister's life. The sisters are played by Abigail Breslin and Sofia Vassilieva.

Director Nick Cassavetes (The Notebook), when asked about the alternative ending that featured in the movie replied "I think the book is awesome and I think the movie is awesome and I think that because they’re different, it actually adds to the value of both. I didn’t change the book’s ending. We changed the movie’s ending and the reason why we did it is I think it’s a superior ending for the movie". Movie-goers who are sticklers for the storyline to remain the same may not be as keen and many reviews are calling the movie manipulative and contrived


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Cheri marks the return of Michelle Pfeiffer to the big screen since 2007's release of Stardust and Hairspray - this time in a period piece adapted from French novelist Colette's novel of the same name.

No stranger to costume dramas, in Cheri, Michelle plays a retired courtesan by the name of Lea de Lonval who breaks the cardinal rule - allowing herself to fall in love with a young man nicknamed Cheri (Rupert Friend


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