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Cinema Voyage - Akito Hirata, Filmhunter

 

Review - Easy Virtue

April 4th 2009 08:47
Based on a Noel Coward play written in 1923 and directed by Stephan Elliott (Priscilla Queen of the Desert), Easy Virtue is a thoroughly entertaining comedy of manners.

Set in 1929, John Whittaker (Ben Barnes), a young Brit aristocrat, falls in love with blonde bombshell, Larita (Jessica Biel), an American female racing car driver. He impetuously weds her in the South of France and takes her home to England to meet his family. Kristin Scott Thomas is Mrs Whittaker, a cold distant woman who takes an instant dislike to Larita, showing her distaste by announcing "“Oh, you’re American . . . ” upon hearing her utter her first words. Glamourous Larita is in sharp contrast to the British aristocracy, tweeds and fox hunts and realises that in order to maintain some manner of control and dignity she must stand up for herself and her love for John. Larita may have "easy virtue" as Mrs Whittaker refers, but she holds steadfast to her plan of leaving the estate and moving to London as soon as she can.


Mr Whittaker, a brooding Colin Firth, is the only Whittaker family member who actually takes a liking to her. Having lost interest in his marriage and all things aristocratic since his experience in the war, he enjoys and revels in Larita's arrival. John's sisters, Hilda (Kimberley Nixon) and Marion (Katherine Parkinson), side with their overbearing and controlling mother.

The subject matter may sound serious, but unlike Alfred Hitchcock's silent film version of Easy Virtue, Director Stephan Elliott plays for the laughs. Harking back to Priscilla, he uses many of Coward's original songs as well as a fun jazz version of Tom Jones' Sex Bomb bringing a fun tone to what could otherwise be a dull and staid offering. The supporting cast including the hilarious butler Furber (Chris Marshall), are superb.


Larita is a fish out of water in the countryside estate but holds her own against her fight against the clash of cultures and generations. Biel's acting is superb, maintaining elegance while asserting her place, bringing a credibility to her character that has not been seen since The Illusionist (2006). Kristin Scott Thomas and Colin Firth are nicely balanced and they play off each other well.

The dance sequences and music scores brought this film to life. The scene between John and Larita singing Let's Misbehave brought a smile to my face as did the hilarious Can Can sequence. There is a lovely warmth to the relationship between Larita and Mr Whittaker, which is particularly visible in the tango scene towards the end of the film.

If you like your humour with a little bit of class, then this is definitely one to look out for.

Voyage Review: 4/5


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