Review - The Last Word
May 4th 2009 16:46
I quite enjoy watching Winona Ryder on screen - she seems to command the camera's attention and is not as dull as many of the female leads gracing our screens in romantic comedies these days. Admittedly the last time I saw her in anything was in the animated drama A Scanner Darkly (2006) and prior to that, S1m0ne (2002), so it was great to see her heading the cast in last year's release of The Last Word. Luckily for her she had a strong start in her career (Age of Innocence, Edward Scissorhands, Girl Interrupted, Little Women) otherwise her absence from the screen would've meant she was destined for a career elsewhere - truly a shame for someone who was nominated twice for an Academy Award so early in her acting career.
The Last Word casts Ryder against Wes Bentley who is possibly most well remembered for his role in American Beauty although he has appeared in a number of movies since including The Four Feathers and Ghost Rider. Here Wes is Evan Merck, a writer penning last words for people looking to end their lives. A strange vocation admittedly and even stranger is the fact that he attends the funerals of the victims looking to see how his words may have affected those attending. It is at one of his client's funerals that he meets Charlotte, sister to the deceased. Charlotte confronts Evan at the funeral and this takes them down the path to a relationship based on untruths as Evan is unwilling to tell Charlotte the truth.
Directed by first time full feature writer and director Geoff Haley, this black romantic comedy has the potential to take us into unmarked territory but unfortunately the script fails to have the leads really connect. Evan is a serious soul, always quoting others (because it believes it is better than having his own thoughts) and we never really get to see what makes him tick. Because of this flaw in his character portrayal, it is ultimately hard to understand why Charlotte would choose to spend her time with him as she is more open and unguarded to life and its happenings. But then again - they say opposites do attract!
Ray Romano features as comic relief in the form of Abel, one of Evan's clients and admittedly I enjoyed the relationship development between the two men more so than that of the romantic pairing. As a composer of elevator music of which his greatest achievement was to write “music to commit mass murder by”, he lightens the load with his pessimistic outlook and provides a few chuckles to boot.
As a romantic comedy it does predictably come face to face with Evan's dishonesty to Charlotte and ultimately hinges on whether or not she is able to forgive him for what he has done.
Having previewed at the Sundance Film Festival last year, the director interestingly enough has had a long career as a camera operator and has continued to work behind the scenes since the creation of his movie. For those who like their romance tinged with a little bit of darkness, I recommend it, despite my failure to connect with the characterisations as well as the ending.
Voyage Review: 3/5
Check out the preview below:
The Last Word casts Ryder against Wes Bentley who is possibly most well remembered for his role in American Beauty although he has appeared in a number of movies since including The Four Feathers and Ghost Rider. Here Wes is Evan Merck, a writer penning last words for people looking to end their lives. A strange vocation admittedly and even stranger is the fact that he attends the funerals of the victims looking to see how his words may have affected those attending. It is at one of his client's funerals that he meets Charlotte, sister to the deceased. Charlotte confronts Evan at the funeral and this takes them down the path to a relationship based on untruths as Evan is unwilling to tell Charlotte the truth.
Directed by first time full feature writer and director Geoff Haley, this black romantic comedy has the potential to take us into unmarked territory but unfortunately the script fails to have the leads really connect. Evan is a serious soul, always quoting others (because it believes it is better than having his own thoughts) and we never really get to see what makes him tick. Because of this flaw in his character portrayal, it is ultimately hard to understand why Charlotte would choose to spend her time with him as she is more open and unguarded to life and its happenings. But then again - they say opposites do attract!
Ray Romano features as comic relief in the form of Abel, one of Evan's clients and admittedly I enjoyed the relationship development between the two men more so than that of the romantic pairing. As a composer of elevator music of which his greatest achievement was to write “music to commit mass murder by”, he lightens the load with his pessimistic outlook and provides a few chuckles to boot.
As a romantic comedy it does predictably come face to face with Evan's dishonesty to Charlotte and ultimately hinges on whether or not she is able to forgive him for what he has done.
Having previewed at the Sundance Film Festival last year, the director interestingly enough has had a long career as a camera operator and has continued to work behind the scenes since the creation of his movie. For those who like their romance tinged with a little bit of darkness, I recommend it, despite my failure to connect with the characterisations as well as the ending.
Voyage Review: 3/5
Check out the preview below:
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