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Review - Walled In

April 12th 2009 06:12
Walled In is one of those films where the initial premise could have been good, but unfortunately due to bad acting, casting, directing or poor script (or a combination of these), it all goes horribly wrong.

Based on a French novel entitled Les Emmures written by Serge Brussolo, the film is directed by fellow Frenchman Gillies Paquet-Brenner. This may be a case of "lost in translation" but regardless of the reasons, it is watchable at best.


Walled In stars OC's Mischa Barton and while I confess to never having seen an episode of OC, she does seem to be a little out of her depth here. This may be due to the flawed storyline as Sam is 25 and following in her father's footsteps as a demolition expert. The constant reference to the fact that a young pretty girl seems out of place on a demolition site seems to cement my point and I felt it would've been far more plausible had she been portrayed by someone slightly older and/or wiser.

The movie opens creatively with an introduction to a horrific murder involving a young child followed by newspaper headlines and articles showing the enormity of the killing spree. As the reports show, the man responsible for burying people alive within the walls of the building, constructed by famous architect Joseph Malestrazza (French actor Pascal Greggory), is still at large. Sam is ignorant to the history of the building or of the deaths which occurred there. A reference is made by Sam connecting the building to the Bates Motel as it has an eerieness, an isolated location and an assortment of strange tenants located within, and the connection is certainly valid, given the storyline.


The building which was supposedly meant to have already been emptied of tenants is managed by Mary (Deborah Kara Unger - Silent Hill, Crash) who lives there with her 15 year old son, Jimmy (Cameron Bright). Oddly characterised and portrayed - unfortunately both their acting comes off as slightly wooden rather than strange, which I presume was the effect the director was trying to capture.

The Shining is a great example of how eerie a movie can be, housed in one location, and while the movie starts heading down the a ghostly path, it switches gears and becomes more of an obsessive tale involving Jimmy and Sam.

Many of the scenes are beatifully captured as is the isolated location and the maze of a building with its secret passageways. But unfortunately for me the acting just didn't cut it and I lost interest with the convoluted plot partway through.

Fans of Mischa Barton and horror fans will, I am sure get a bite or two out of it, but there wasn't enough suspense, horror or gore to really please me on the horror scale.

Voyage Review: 2.5/5


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